Filed in Article Conventions Supernatural

Aldis at Supernatural Convention in NJ

“Supernatural” fans can gather at weekend convention
Friday, July 9, 2010

SPOTLIGHT ON … SUPERNATURAL CONVENTION

MISHA COLLINS     ALDIS HODGE

MISHA COLLINS ALDIS HODGE

The “Salute to ‘Supernatural’ Convention” gives fans of the TV show a place to come together this weekend.

THE SHOW: “Supernatural” follows two demon-hunting brothers, Sam and Dean Winchester (played by Jared Padalecki and Jensen Ackles), as they struggle with the paranormal. More than mystical activity, “Supernatural” focuses on connections between characters.

“It’s about the relationship of the characters and how they look out for each other,” says Gary Berman, co-founder of Creation Entertainment. “We’ve been running conventions for 40 years, and ‘Supernatural’ is one of those shows that really captured the passion of its audience.”

THE FANS: “Supernatural” attracts “a good core solid group of fans,” says Berman. “The audience is very loyal to the show.”

THE CONVENTION: Super-fans compete in costume contests, test their trivia knowledge and can bid in auctions for collectibles. There will also be some sneak peeks of new sci-fi television shows and motion pictures.

ON THE BILL: On Friday: Richard Speight Jr. (Trickster) and Alona Tal (Jo Harvelle). On Saturday: Misha Collins (Castiel), Travis Wester (Harry Spangler) and Aldis Hodge (Jake Talley). On Sunday: Collins, Rob Benedict (Chuck Shurley), Samantha Smith (Mary Winchester) and Katherine Boecher (Lillith).

ANYTHING SPOOKY PLANNED? “It gets pretty weird at the costume contest, that’s a little supernatural,” laughs Berman.

UNCONVENTIONAL WEEKEND: “It’s a break from the reality of your normal workweek,” says Berman, who began as a convention attendee and science fiction fan. “These memories don’t go away, and hopefully we’ve created a lot of nice memories for a lot of nice people.”

MUSICAL INTERLUDE: Steve Carlson performs 9 p.m. Saturday. Carlson, who has recorded in the past with Ackles, “has developed a nice following among the ‘Supernatural’ fans,” says Berman. Separate tickets required.

DETAILS: Noon to 7 p.m. Friday, 10 a.m. to 7 p.m. Saturday and 11 a.m. to 5 p.m. Sunday. Hilton Parsippany Hotel, 1 Hilton Court, Parsippany. Friday $20, Saturday and Sunday $30; Steve Carlson concert $20, children 12 and under $15. 818-409-0960 or creationent.com.

~~Catherine Trautwein

Source: NewJersey.com

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Filed in Article Leverage

‘Leverage’ goes classical with ‘The Scheherazade Job’

‘Leverage’ goes classical with ‘The Scheherazade Job’

Posted on Friday, Jun 25, 2010 By Alan Sepinwall
'Leverage' goes classical with 'The Scheherazade Job'

 

Aldis Hodge as Hardison in “Leverage.”

Credit: TNT

While I blog about a lot of TV shows, there are even more shows that I watch and don’t write about, whether for scheduling reasons or because, while I like them, there isn’t necessarily enough meat there to merit episode-by-episode analysis. (This is known in my corner of the TV blogging game as “The ‘NCIS’ Factor.”)

One of those shows is TNT’s “Leverage,” which is a fun caper series I always mean to write about on occasion but usually get so far behind in my viewing that it doesn’t seem worth the bother just to talk about how sweet it was when Eliot beat up 17 guys with one arm dislocated behind his back.

I did, however, get to see the second of Sunday’s two episodes (TNT is running double-headers at 9 & 10 for at least the first few weeks of this season), and it’s a pretty cool one, about which I’ll have a few thoughts after the jump.

Not only does it guest star Giancarlo Esposito from “Breaking Bad” as an aspiring African dictator in need of some Nate Ford humbling, but the episode takes advantage of one of Aldis Hodge’s many hidden talents(*) by putting Hardison in a situation where he has to play a violin solo at a concert to help the crew pull off a heist.

(*) The summer that “Leverage” launched, Fienberg and I approached Hodge at Turner’s press tour party, mainly so we could gab about his stint as Ray “Voodoo” Tatum on “Friday Night Lights.” (And so we could use the phrase “Ray ‘Voodoo’ Tatum” as often as possible in a 10-minute conversation.) Instead, we mainly wound up talking about Hodge’s many, many, many outside talents and projects. Among the ones we can remember him listing are a black belt in some martial art (he said he hoped there would be a Hardison/Eliot fight scene one day so he can Christian Kane could see who was really the baddest), watch repair, screenwriting and, we think, aircraft design. Even if he could really only do half the things he claimed, he’d be in serious renaissance man territory, and “Leverage” co-creator Chris Downey says he wrote this episode to pay off a promise he made in season one to find a way to work Hodge’s violin skills into an episode.

There are the usual fake identities and fight scenes and double-reverses, but what makes “The Scheherazade Job” more notable than your average “Leverage” is that a good chunk of the heist sequence (including one of the better Eliot fight scenes they’ve done) is filmed largely without dialogue, and is instead accompanied by the classical piece Hardison is playing. I complain sometimes about shows (particularly those on ABC) that lean too heavily on their musical scores to tell you how to feel about certain scenes, but this is a more traditional, very effective use of score to make this particular job stand out from the many others we’ve seen Nate pull off in episodes past.

Alan says check it out if you’re around on Sunday at 10 (or if you have one of those newfangled DVR thingees).
Source: Hit Fix

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Filed in Article Leverage

The Steranko Who Knew Too Much

LEVERAGE: “The Inside Job” and “The Scherezade Job”

By Tyler Weaver, Guest Contributor
Follow him on Twitter.

303: The Inside Job

Parker’s in trouble and it’s up to Nate and co. to bail her out. Taking a side gig from her “father,” Archie Leach (a deft nod towards the true name of Cary Grant), played by the always awesome Richard Chamberlain, she tries to outwit the Steranko (another nod towards LEVERAGE creator John Roger’s comic book writing), a big mean bastard of a security system as she tries to steal a canister of wheat-killing germs, which turns into Nate and co. going after leverage against the head scientist, the evil sexy Dr. Lady, played by Lisa Brenner.

Whew.

The writing in this show never fails. Each episode is ridiculously clever, with wonderful little nods towards influence, and a perfect mix of drama and comedy in the vein of the best con movies of old, like THE STING and my favorite, PAPER MOON.

While the first season of LEVERAGE was geared towards the “con of the week” and Nate’s arc of revenge, the second did the “con of the week,” with a bigger focus on character, leading to Nate’s ultimate acceptance of who he is (the final lines of season two, “I’m a thief.”) Season three takes the con of the week, adds more individual character moments (this Parker-centric) episode, gives just enough insight into the individual, then leaves you wanting more. Then on top of all of it, they have added the “Crime World” – Damien Moreau storyline, plus a healthy dose of Nate (who has become similar to House in many regards, but more on that in the next episode’s review).

Richard Chamberlain was a fascinating kinda foil for Nate, his struggle with accepting who Parker has become vs. what he made her a great character arc for a character that I hope we see again. Chamberlain always classes up a room – even when the show’s already a classy and fun affair. Must be the scarf.

 

304: The Scherezade Job

The overly-ambitious, diamond smuggling, arts patron brother of an African leader has designs on being his brother’s successor, and Nate and co. jump in to help a journalist with a story to tell and a country to save. Along the way, Hardison plays a violin, Parker does Parker-y stuff, and Elliot kicks some ass. So simple – and so pleasurable!

If 303 had its nods towards influence, 304 wore them on its sleeve, with the climactic heist taking place at an orchestra performance, the explosion timed at just the right moment in Scherezade so that no one would hear it, echoing a similar device in Hitchcock’s THE MAN WHO KNEW TOO MUCH. No Bernard Hermann though.

Last episode was Parker’s episode, this episode it’s Hardison’s, as his violin-playing ability was front and center, taking him out of his comfort zone (the van), and onto the orchestra stage. His arc, from fear to confidence (and playing really, really well) was a fun one to watch – even if Nate kicked him in the balls at episode’s end. Aldis Hodge always brings that something something to every episode, his slips in and out of “Con Character” always fun to watch.

While not as much fun (or suspenseful) as 303, this episode definitely had its moments – the aforementioned orchestra heist, Nate’s hypnosis revelation to Hardison (and subsequent House-ification of Nate ending the episode with a notable, “wow, what a dick!” moment), and Nate’s GODFATHER-esque fear of getting Luca Brasi-ied (GODFATHER fans will know what I’m talking about) should he go on a dinner date with “The Italian.”

While Nate is the lead of the show, the glue holding the entire team together is Gina Bellman’s “Sophie Deveraux,” (which isn’t her real name, and apparently we, the audience, like Nate, have to earn the right to know – which I appreciate). Each and every episode, she turns in a fantastic performance as some new identity (the PR-rebrander of dictators in this, and Emily Peel (wink wink) in the previous). Her chemistry with Timothy Hutton is palpable, and she always makes every scene she’s in light up. The void left by her absence in the second half of season two was as much a loss for the viewer as it was for Nate, Parker, Elliot, and Hardison.

For all of you who watch the show (and if you’re reading this, you probably do), I can’t recommend enough LEVERAGE creator John Rogers’ blog, Kung Fu Monkey. Each week, he pens posts filled with wonderful insight into each episode, and paints a deep portrait of how a show works. Well worth the RSS.

Another great back-to-back night of episodes, making for the most pleasurable (and oddly difficult) reviewing experience I’ve had. There’s a break next week for fireworks, then it’s back to business on July 11.

Until then…

Tyler Weaver is a filmmaker, writer, critic, and the founder and EIC of Multi-Hyphenate. He’s currently making new things and yaks about that and more on Twitter under the creative guise of @tylerweaver.

 

Source: Pulp Tone

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Filed in Aldis' blog Leverage SPOILERS

Aldis Hodge’s Sneak Peek *Spoilers*

He has a blog I didn’t  even know about. Stealthy hacker!

Leverage‘s Aldis Hodge Offers Sneak Peek at New Episodes

Jun 27, 2010 04:35 PM ET

Hey everyone. This is Aldis Hodge, aka Hardison, and as you know, Leverage is definitely back in action on our new night, Sundays at 9/8c on TNT. And then we give you another episode at 10/9c.

Last week, we gave you double the love with a two-episode season premiere. We broke Nate out in “The Jailhouse Job,” guest starring my brother Edwin Hodge, but we ended up getting black mailed by a strange Italian woman. And we also gave you “The Reunion Job,” in which we took down a corrupt cyber-security mogul.

This week, we give you another double header with “The Inside Job,” and we have to save one of our own: Parker!!! This episode stars the amazing Richard Chamberlain, and right after that you get “The Scheherazade Job,” guest-starring Giancarlo Esposito and NFL star Nnamdi Asomugha. You may just see Hardison face his biggest fear yet: playing the violin!

So kick back Sunday night and set your DVRs for 9 p.m. and again at 10 p.m. on TNT. Also, for those early birds, you can catch re-runs of last week’s episodes on Sunday mornings at 7 a.m. and 8 a.m.

Check you later, I have some hacking to do.

Aldis

Source: Aldis Hodge – TV Guide Blog

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Filed in Article Leverage

TNT’s 2-Hour Leverage Block Wraps with Orchestra-Timed Heist *spoilers*

Published: June 27, 2010

The latest client to approach the Leverage team brings a whole country of political intrigue with her. Her concern is well-founded, because the man in line to buy the next election in this small African country is the current president’s brother — only without the scruples of his statesman sibling. He’s a diamond smuggler with blood on his hands. He’s also in tight with the CIA because he provides names of potential Al-Qaeda terrorists.

To defund the man’s campaign plans, Nate (Timothy Hutton) plans to steal his prized possession — an original Stradivarius violin. But the vault, according to Parker (Beth Riesgraf), is impenetrable unless the sonic detectors are turned off, which they only are whenever a particularly loud concert is played in the hall upstairs. So, as Nate would say, “Let’s steal us an orchestra.”

Plotwise, this one seems a straight-out heist, but as always there are unexpected wrinkles in the way. This time, the focus is on hacker Alec Hardison (Aldis Hodge), who has dreams of running his own crew someday, only to be dismayed when Nate tells him he doesn’t have what it takes. But that’s not Alec’s most pressing matter: he’s grifting the mark (Giancarlo Esposito) pretending to be a violin prodigy from the home country, which thrusts him into the spotlight when he’s got 24 hours to prepare to play the closing solo of “Scheherazade.”

Elisabetta Canalis also makes an appearance this episode as the mysterious Italian who has blackmailed the Leverage crew into working a larger con for her over the course of this third season. And Oakland Raiders cornerback Nnamdi Asomugha takes on a role as a bodyguard, which makes for some fun fight scenes between himself and Leverage‘s hunky heartthrob hitter, Elliot (Christian Kane), a fight also uniquely timed to the music playing above.

In the grand scheme of the Leverage series, “The Sheherazade Job” has more than its share of disappointments, but to list them here would spoil far too much of the plot, and particularly would give away the big reveal. However, it’s a small failure of the writing, and certainly nothing that gets in the way of this ensemble cast doing what they do best — conning the audience into believing that the impossible can be done with just a little planning and a well-trained crew.

Leverage, “The Scheherazade Job” premieres Sunday, June 27, at 10pm (ET/PT), wrapping up a two-hour block that begins with “The Inside Job.”

Source: The Trades

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Filed in Leverage SPOILERS Video

Upcoming Episode Vid & Pics *Spoilers*

Leverage – Season 3, Episode 4
The Scheherazade Job


Premieres Sunday, June 27 at 10/9c

To rob an African kleptocrat’s Boston vault, the LEVERAGE team has to time their heist to a symphony concert nearby, where amateur violinist Hardison must play a solo for a sell-out crowd. Giancarlo Esposito (Homicide: Life on the Street), Elisabetta Canalis and Oakland Raiders cornerback Nnamdi Asomugha guest-star.

Source: Audio Geek 10

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